Francis Bacon: Recent Work , exh. cat., London, Marlborough Fine Art Ltd., 1963, no. 7 (illustrated, unpaged).
L. Alloway, "Francis Bacon: A great, shocking, eccentric painter", in Vogue , vol. 142, no. 8, 1 November 1963, pp. 138 and 182, no. 8 (illustrated in colour, p. 139).
"Art: In the New Grand Manner", in Time , vol. 82, no. 18, 1 November 1963, p. 82.
R. Alley and J. Rothenstein, Francis Bacon , London 1964, p. 152, no. 215 (illustrated, p. 253).
J. Rothenstein, "Francis Bacon", in Vogue, London, vol. 212, no. 7, May 1964 (illustrated in colour, p. 108).
L. Trucchi, Francis Bacon , London and New York 1975, p. 39, no. 86 (illustrated, p. 127).
M. Leiris, Francis Bacon: Full Face and In Profile , New York 1983, p. 258.
H. Davies and S. Yard, Francis Bacon , New York 1986, p. 44, no. 45 (illustrated in colour, p. 42).
E. van Alphen, Francis Bacon and the Loss of Self, London 1992, pp. 144 and 147, no. 76 (illustrated in colour, p. 133).
A. Sinclair, Francis Bacon: His Life And Violent Times , London 1993, p. 140.
B. Pearce, Brett Whiteley: Art & Life , New York 1995, p. 30.
M. Peppiatt, Francis Bacon: Anatomy of an Enigma , London 1996, pp. 173 and 176.
C. Domino, Francis Bacon: Painter of a Dark Vision , New York 1997 (illustrated in colour, p. 45).
C. Domino, Francis Bacon ‘Taking Reality by Surprise" , London 1997 (illustrated in colour, p. 45).
J. C. Delpierre (ed.), "Francis Bacon", in Beaux Arts Magazine , Paris 1997, no. 11 (illustrated in colour, p. 16).
D. Sylvester, Looking back at Francis Bacon , New York 2000, pp. 168, 175 and 270, no. 132 (illustrated in colour, p. 176).
C. Tóibín, Love in a Dark Time: Gay Lives from Wilde to Almodóvar , London 2003, p. 163.
L. Ficacci, Bacon: 1909-1992 , Cologne 2003, p. 52 (illustrated in colour, p. 53).
M. Cappock, Francis Bacon"s Studio , London 2005, p. 137, fig. 251 (illustrated in colour, p. 139).
M. Harrison, In Camera: Francis Bacon, Photography , Film and the Practice of Painting , London 2005, p. 126, no. 127 (illustrated in colour, p. 127).
W. Schmied, Francis Bacon: Commitment and Conflict , Munich 2006, p. 164.
M. Peppiatt, Francis Bacon in the 1950s , New Haven 2006, p. 171.
M. Harrison, "Bacon"s Many Sources Do Not Explain His Works", in The Art Newspaper , vol. XV, no. 165, January 2006, p. 37.
M. Peppiatt, Francis Bacon: Studies for a Portrait: Essays and Interviews , New Haven 2008, p. 262.
D. Dalwood, "Francis Bacon", in Burlington Magazine , vol. 150, no. 1269, December 2008 (illustrated in colour, p. 841).
M. Harrison, (ed.), Francis Bacon: New Studies, Centenary Essays , Gottingen 2009, no. 173 (illustrated in colour, p. 270).
J. Richardson, "Bacon Agonistes", in The New York Review of Books , 17 December 2009 (digital).
A. M. Wieland, Francis Bacon, Munich 2009 (illustrated in colour, p. 83).
D. Sturrock, Storyteller: The Life of Roald Dahl , London 2010, pp. 440 and 540.
Francis Bacon: Late Paintings, exh. cat., New York, Gagosian Gallery, 2015, p. 73 (illustrated in colour, p. 72).
M. Harrison and R. Daniels (eds.), Francis Bacon: Catalogue Raisonné, Volume III, 1958-71 , London 2016, pp. 718 and 720, no. 63-06 (illustrated in colour, p. 719; detail illustrated in colour, p. 721).
M. Cappock, "Francis Bacon", in Burlington Magazine , vol. CLVIII, October 2016, p. 846.
Francis Bacon Couplings, exh. cat., Gagosian, London, 2019 (illustrated in colour, p. 33).
Y. Peyré, Francis Bacon or the Measure of Excess, Paris 2019, p. 317 (illustrated in colour, p. 133).
S. Moore, "London Calling", in Apollo , December 2019, p. 71.
C. Tóibín, "Open in a Scream", in London Review of Books , vol. 43, no. 5, 4 March 2021 (digital).
M. Stevens and A. Swan, Francis Bacon: Revelations, London 2021, pp. 459-460.