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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 12, 2019 | Christie's | New York | Impressionist and Modern Art Evening Sale | 12A | $****** - ****** | Le train à Jeufosse | |||
Nov 5, 2003 | Sotheby's | New York | Impressionist & Modern Art - Part I | 15 | $****** - ****** | Le train à Jeufosse | |||
Jun 19, 1989 | Ader-Picard-Tajan | Paris | 19th/20th C Paintings | 64 | $****** - ****** | Le train à Jeufosse |
paintings
60.3 x 81.3 cm (23.75 x 32 in)
oil on canvas
signed 'Claude Monet' (lower right)
Stéphane Mallarmé, Paris (gift from the artist, 1890).
Geneviève Mallarmé-Bonniot, Paris (by descent from the above).
Dr. Edmond Bonniot, Paris (by descent from the above, circa 1920).
Louise Bonniot, Valvins (by descent from the above, 1930).
André Morice, Paris (circa 1950).
Anon. sale, Drouot-Montaigne, Paris, 19 June 1989, lot 64.
Private collection (1989); sale, Sotheby's, New York, 5 November 2003, lot 15.
Acquired at the above sale by the present owner.
Portland Museum of Art, Paris and the Countryside: Modern Life in Late-19th-Century France, June-October 2006, p. 80, no. 51 (illustrated in color, p. 81).
Tulsa, Philbrook Museum of Art and Houston, The Museum of Fine Arts, Monet and the Seine: Impressions of a River, June 2014-February 2015, p. 120, no. 34 (illustrated in color, p. 121).
G. Geffroy, Claude Monet: Sa vie, son temps, son oeuvre, Paris, 1922, pp. 210, 323 and 330.
D. Rouart, ed., Correspondance de Berthe Morisot, Paris, 1950, p. 154.
D. Wildenstein, Claude Monet: Biographie et catalogue raisonné, Lausanne, 1979, vol. II, p. 134, no. 912 and p. 293, letters 90 and 92 (illustrated, p. 135).
D. Rouart, Berthe Morisot: The Correspondence with her Family and her Friends, Manet, Puvis de Chavannes, Degas, Monet, Renoir and Mallarmé, New York, 1987, p. 175.
D. Wildenstein, Claude Monet: Biographie et catalogue raisonné, Lausanne, 1991, vol. V, p. 42, no. 912.
S.Z. Levine, Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self, Chicago, 1994, pp. 127, 137 and 304, note 3 (illustrated, fig. 66).
D. Wildenstein, Monet: Catalogue raisonné, Cologne, 1996, vol. II, p. 341, no. 912 (illustrated).
D. Wildenstein, Monet, or the Triumph of Impressionism, Cologne, 1996, p. 270.
H. Lemonedes, “Unfinished Business: Stéphane Mallarmé’s 'Le Tiroir de laque' and Berthe Morisot” in A Painter’s Poet: Stéphane Mallarmé and His Impressionist Circle, exh. cat., The Bertha and Karl Luebsdorf Art Gallery, Hunter College of The City University of New York, 1999, p. 70.
R. Lloyd, Mallarmé: The Poet and His Circle, Ithaca, 1999, p. 122.
K. Lochnan, Turner, Whistler, Monet, exh. cat., Art Gallery of Ontario, 2004, p. 167 (illustrated, fig. 61).
signed 'Claude Monet' (lower right)
oil on canvas
23 ¾ x 32 in. (60.1 x 81.2 cm.)
Painted in 1884
