Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
Discover how the artwork has performed looking at the estimated historical value to date for this artwork, with its prior recorded sales and comparable artworks.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 18, 2019 | Sotheby's | London | Modern & Post-War British Art | 24 | $****** - ****** | STILL LIFE (SPECKLED) MARCH 18 - 49 |
paintings
43 x 44 cm (16.93 x 17.32 in)
oil and pencil on board on artist's painted backboard
signed twice, titled, dated March 18 - 49 twice and inscribed on the Artist's backboard
Leicester Galleries, London
George Henry, December 1963
D. Warren, Massachusetts
Bernard Jacobson Gallery, London
Jacobson Howard Gallery, New York, Summer 2005
Crane Kalman Gallery, London, where acquired by the present owner
London, Lefevre Gallery, Recent Painting 1949-50 by Ben Nicholson, October 1950, cat. no.11;
Providence, Museum of Modern Art, Rhode Island School of Design, 1900 to Now: Modern Art from Rhode Island Collections, 22nd January - 1st May 1988, un-numbered exhibition;
New York, Jacobson Howard, Summer Exhibition, 2005 (details untraced).
signed twice, titled, dated March 18 - 49 twice and inscribed on the Artist's backboard
oil and pencil on board on the Artist's painted backboard, in the Artist's painted wooden frame
framed: 43 by 44cm.; 17 by 17¼in.
