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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 6, 2007 | Christie's | New York | Impressionist and Modern Art Evening Sale | 19 | $****** - ****** | Cassis Cap Canaille |
paintings
65.7 x 82.2 cm (25.87 x 32.36 in)
oil on canvas
signed P. Signac, l.l.; dated 89, l.l.; inscribed Op.200, l.r.
Mme Monnom, Brussels (acquired from the studio of the artist, 1890). Marlborough Fine Art Ltd., London. Jérôme Hill, New York. Walter Brown, San Antonio (1974).
Private collection.
S.P. [Paul Signac], Art et Critique, 1 Feb 1890, p. 77. L'Art Moderne, 23 February 1890, p. 59. E. Demolder, "Le Salon des XX à Bruxelles," in L'Artiste, Feb 1890, p. 101. J. Krexpel, "Le Salon des XX," in La Revue Blanche (série belge), February 1890, no. 1, p. 11. Daland, "Le Salon des XX Bruxelles," in Mercure de France, March 1890, no. 3, p. 88. G. Lecomte, "Beaux-arts. L'Exposition des néo-impressionnistes. Pavillion de la Ville de Paris. Champs-Élysées," in Art et Critique, 29 March 1890, p. 204. J. Christophe, "Causerie. L'impressionnisme au pavillon de la Ville de Paris," in Le Journal des artistes, 6 April 1890, no. 13, p. 102. G. Geffroy, "Chronique d'art indépendants," in La Revue d'aujourd'hui, 15 April 1890, p. 270. E. Morel, "Les Indépendants," in La Revue Blanche (série belge), May 1890, p. 51. J.L. [Leclercq], "Aux Indépendants," in Mercure de France, May 1890, p. 175. F. Fénéon, "Signac," in Les Hommes d'aujourd'hui, 1890, vol. VIII, no. 373. G. Cachin-Signac, "Autour de la correspondance de Signac," in Les Arts, 7 Sept 1951, p. 8. P. Cabanne, "Au Louvre. Apôtre du divisionnisme, le vrai Signac s'épanouit dans ses aquarelles," Les Arts, 18-24 Dec 1963, p.12. "Letter from Paris," The New Yorker, 28 Dec 1963. J.-J. Lerrant, "Paul Signac à qui le Louvre consacre une rétrospective est un grand peintre français," in Les Progrès, 12 Jan 1964, p. 13. J. Sutter, Les Néo-impressionnistes, Paris, 1970, p. 58. F. Cachin, P. Signac, Paris, 1971, p. 41.
