Private Collection
Gunter Sachs, Switzerland (acquired from the above in 1969)
The Estate of Gunter Sachs, Switzerland (by descent from the above)
Acquired by the present owner from the above?Exhibited
Basel, Galerie Beyeler,?Roy Lichtenstein, June - September 1973, cat no. 5, illustrated in color (edition no. unknown)
Hamburg, Museum f?r Kunst und Gewerbe,?Gunter Sachs - Gro?e: von Kunst, Kult und Charisma, August - September 2003 (the present work)
Leipzig, Museum der Bildenden K?nste,?Gunter Sachs: Die Kunst ist Weiblich, March - June 2008, p. 56, illustrated in color (the present work)
Moscow, Museum Tsaritsyno,?Gunter Sachs, 2009 (the present work)
Munich, Museum Villa Stuck,?Die Sammlung Gunter Sachs, October 2012 - January 2013, cat. no. 089, illustrated in color (the present work)
Schweinfurt, Kunsthalle Schweinfurt,?Die Sammlung Gunter Sachs, November 2013 - March 2014, cat. no. 089, illustrated in color (the present work)
Literature
Robert Rosenblum, "Pop and Non-Pop: An Essay in Distinction,"?Canadian Art 23, January 1966, no. 1, p. 53, illustrated?(edition no. unknown)
Alberto Boatto and Giordano Falzoni, eds.,?Lichtenstein, Rome, 1966, published in?Fantazaria I, no. 2, July - August 1966, p. 75, illustrated?(edition no. unknown)
Phyllis Tuchman,?"American Art in Germany: The History of Phenomenon,"?Artforum, vol. 9, no. 3, November 1970, p. 63, illustrated?(edition no. unknown)
Diane Waldman,?Roy Lichtenstein, New York, 1971, p. 113, illustrated?(edition no. unknown)
Yusuke Nakahara, ed., "Man-Made Nature,"?Art Now, vol. 5, Tokyo, 1971, p. 119, illustrated?(edition no. unknown)
Michael Lobel,?Image Duplicator: Roy Lichtenstein and the Emergence of Pop Art, New Haven and London, 2002, fig. 83, p. 134, illustrated in color and pp. 132, 133, 136, 138, 139, 154 and 156 (text)?(edition no. unknown)
Exh. Cat., Cologne, Kunsthaus Bregenz,?Roy Lichtenstein: Classic of the New, 2005, p. 103, illustrated in color (another example)
Exh. Cat., New York, Gagosian Gallery,?Lichtenstein: Girls, 2008, p. 59, illustrated in color (another example)