Vizzavona, ed., Recueil: Oeuvre de Paul Gauguin; Photographies de E. Druet , Bretagne, vol. 1 (illustrated).
Vizzavona, ed., Recueil: Oeuvre de Paul Gauguin; Photographies de E. Druet, Œuvres diverses , vol. 8 (illustrated twice).
V. Segalen, "Gauguin dans son dernier décor" in Mercure de France , June 1904, no. 174, p. 682.
C.J. Holmes, Notes on the Post-Impressionist Painters: Grafton Galleries, 1910-1911 , London, 1910, pp. 23-24, no. 41 (titled Négresses ).
D. MacCarthy, "The Exhibition at the Grafton Galleries: Gauguin and Van Gogh" in Spectator , 26 November 1910, pp. 902-903.
M. Puy, "Paul Gauguin" in L'art décoratif: Revue de l'art ancien et de la vie artistique moderne , April 1911, no. 151, p. 183 (illustrated; titled Tahitiennes ).
C. Morice, Paul Gauguin , Paris, 1919, p. 164 (illustrated).
A. Alexandre, Collection Kélékian: Tableaux de l'Ecole française moderne , Paris, 1920 (illustrated, pl. 41).
H.E. Field, "The Metropolitan French Show" in The Arts , May 1921, vol. I, no. 5, p. 2.
S. Haweis, "Paul Gauguin: Artist" in International Studio , May 1921, vol. LXXIII, no. 290, p. 95 (illustrated, p. 97; titled Natives of Tahiti ).
Art in America , August 1921, vol. 9, no. 5, p. 213.
W.S. Blunt, My Diaries: Being a Personal Narrative of Events; 1900-1914: The Coalition against Germany , New York, 1922, vol. 2, p. 329.
F. Watson, "American Collections: No. 3; The Adolph Lewisohn Collection" in Arts , July-December 1926, vol. 10, p. 33 (illustrated, p. 33).
H. Hertz, "Paul Gauguin" in Art in America and Elsewhere , April 1927, vol. 15, no. 3 , p. 150 (illustrated).
S. Bourgeois, The Adolph Lewisohn Collection of Modern French Paintings and Sculptures , New York, 1928, p. 162 (illustrated, p. 163).
S. Bourgeois, "The Passion of Art Collecting: Notes on the Adolph Lewisohn Collection" in Art News , 14 April 1928, vol. XXVI, no. 28, p. 64.
A. Alexandre, Paul Gauguin: Sa vie et le sens de son œuvre , Paris, 1930, p. 267 (illustrated; titled Pastorale Taïtienne ).
F. Cossio del Pomar, Arte y vida de Pablo Gauguin , Madrid, 1930, p. 364 (illustrated, p. 325, pl. LV; titled Tahitianas / Escena Tahitiana ).
R.H. Wilenski, French Painting , Boston, 1931, p. 289 (dated circa 1896).
S. Bourgeois and W. George, "L'art français du XIXe et du XXe siècles à la collection Adolphe et Samuel Lewisohn" in Formes: Revue internationale des arts plastiques , September-October 1932, no. 28-29, p. 303 (illustrated, p. 302).
C. Kunstler, Anciens et Modernes: Gauguin , Paris, 1934, p. 164 (illustrated, p. 77).
G.L. McCann Morley, "The Gauguin Exhibition" in San Francisco Art Association Bulletin , September 1936, vol. 3, no. 4, p. 5.
S.A. Lewisohn, Painters and Personality: A Collector's View of Modern Art , New York, 1937, pp. 61-62 (illustrated, p. 58, pl. 29).
"Gauguin et Victor Segalen" in L'amour de l'art , December 1938, no. 10, p. 384.
J. Rewald, Gauguin , Paris, 1938, p. 167 (illustrated, p. 141; dated circa 1896).
S.A. Lewisohn, "Four Memoirs of the Growth of Art and Taste in America: The Collector; Personalities Past and Present" in Art News Annual , 1939, vol. 37, no. 22, p. 154 (illustrated, p. 69).
R. Cogniat, Gauguin , Paris, 1947 (illustrated, pl. 94; dated circa 1896).
C. Kunstler, Gauguin: Peintre maudit , Paris, 1947 (illustrated, pl. 36).
L. van Dovski, Paul Gauguin oder die Flucht vor der Zivilisation , Olten, 1950, pp. 281 and 351-352, no. 332 (dated 1896).
J. Loize, De Maillol et Codet à Ségalen: Les amitiés du peintre Georges-Daniel de Monfreid et ses reliques de Gauguin , Paris, 1951, p. 133, no. 360 and p. 162, no. 553 (titled Trois Tahitiennes ).
C. Estienne, Gauguin , Geneva, 1953, p. 84 (illustrated in color, p. 85; dated 1896).
A.M. Frankfurter, "Collectors and Modern Million-Dollar Taste" in Art News , March 1953, vol. 52, no. 1, p. 24 (illustrated in color, p. 24; dated 1889).
C. Chassé, Gauguin et son temps , Paris, 1955, p. 148.
B.H. Friedman, "Current and Forthcoming Exhibitions" in The Burlington Magazine , June 1956, vol. 98, no. 639, p. 212 (dated 1896).
H. Read, "Gauguin: Return to Symbolism" in Art News Annual , 1956, no. 25, pp. 125 and 145 (illustrated in color, p. 145; dated 1889).
R. Goldwater, Paul Gauguin , New York, 1957, p. 134 (illustrated in color, p. 135; dated 1896).
C. Sterling, Musée de l'Ermitage: La peinture française de Poussin à nos jours , Paris, 1957, pp. 132 and 134 (dated 1897-1899).
G. Wildenstein, "L'idéologie et l'esthétique dans deux tableaux-clés de Gauguin" and "Vente des oeuvres d'art, livres et objets ayant appartenu à Gauguin: 2 septembre 1903" in Gazette des beaux-arts, special issue, Gauguin: Sa vie, son œuvre; Réunion de textes, d'études, de documents , 1958, p. 137 (illustrated, p. 152, fig. 19; dated 1896) and pp. 205 and 207, respectively.
R. Puig, Paul Gauguin, G.D. de Monfreid et leurs amis , Perpignan, 1958, p. 35 (titled Tahitiennes ).
"Ausstellung Paul Gauguin" in Die Weltkunst , June 1959, no. 11, pp. 9-11.
M. Denis, Journal, 1921-1943 , Paris, 1959, vol. 3, p. 241.
R. Huyghe, Gauguin , Paris, 1959, p. 75 (illustrated in color; dated 1896).
J. Richardson, "Shorter Notices: Gauguin at Chicago and New York" in The Burlington Magazine , May 1959, vol. 101, no. 674, p. 191, no. 61.
M. Malingue, "L'homme qui a réinventé la peinture" in Gauguin , Paris, 1960, p. 124.
M. Rheims, "La cote des Gauguin" in Gauguin , Paris, 1960, p. 221 (titled Les Trois Vahinées ).
H. Perruchot, La vie de Gauguin , Paris, 1961, p. 334, note I and p. 386.
A. Langer, Paul Gauguin , Leipzig, 1963, p. 63 (illustrated in color, pl. 71; dated 1896).
G. Wildenstein, Gauguin , Paris, 1964, vol. I, pp. 245-246, no. 582 (illustrated, p. 245).
C. Chassé, Gauguin sans légendes , Paris, 1965, p. 141 (illustrated, p. 140; with incorrect support).
B. Danielsson, Gauguin in the South Seas , London, 1965, p. 211.
A. Kantor-Goukovskaïa, ???? ????? ????? ? ?????????? , Leningrad, 1965, p. 162 (dated 1896).
P. O'Reilly, Catalogue du Musée Gauguin: Papeari , Tahiti , Paris, 1966, p. 128.
P.C. Nicholls, Gauguin , New York, 1967, p. 30 (illustrated in color, pl. 65).
W.V. Andersen, Gauguin's Paradise Lost , New York, 1971, p. 248 (illustrated, p. 345, fig. 131).
G. Mandel Sugana, L'opera completa di Gauguin , Milan, 1972, p. 112, no. 403 (illustrated, p. 110).
L. van Dowski, Die Wahrheit über Gauguin , Darmstadt, 1973, pp. 220-221 and 273, no. 332 (dated 1896).
B. Danielsson, Gauguin à Tahiti et aux îles Marquises , Papeete, 1975, p. 221.
P. Leprohon, Paul Gauguin , Paris, 1975, pp. 271 and 317.
E. Fezzi, Gauguin: Every Painting , New York, 1980, vol. II, p. 76, no. 561 (illustrated, p. 77).
Z. Amishai-Maisels, Gauguin's Religious Themes , New York, 1985, pp. 288, 305-308, 325, 333, notes 67, 68 and 72, and p. 546 (illustrated, fig. 138).
R. Goldwater, Primitivism in Modern Art , Cambridge, 1986, p. 77 (dated 1896).
M. Malingue, La vie prodigieuse de Gauguin , Paris, 1987, p. 303.
R. Brettell, F. Cachin, C. Frèches-Thory and C.F. Stuckey, The Art of Paul Gauguin , exh. cat., National Gallery of Art, Washington, D.C., 1988, p. 423.
J.B. Bullen, ed., Post-Impressionists in England , London, 1988, pp. 113 and 127.
F. Cachin, Gauguin , Paris, 1988, p. 239.
A. Kantor-Goukovskaïa, A. Barskaïa and M. Bessonova, Paul Gauguin: Musée de l'Ermitage, Musée des Beaux-Arts Pouchkine , Paris, 1988, p. 144 (illustrated).
P. Daix, Paul Gauguin , Paris, 1989, pp. 304, 354 and 356.
G. Manceron, "Segalen et Gauguin" in Gauguin: Actes du colloque Gauguin; Musée d'Orsay, 11-13 January 1989 , Paris, 1991, pp. 41 and 47, note 51.
C. Christensen, "The Painting Materials and Technique of Paul Gauguin" in Studies in the History of Art , 1993, vol. 41, p. 94.
Paul Gauguin e l'avanguardia russa , exh. cat., Palazzo dei Diamanti, Ferrara, 1995, pp. 120 and 126.
N. Margolis Maurer, The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent van Gogh and Paul Gauguin , Madison, 1998, pp. 171-172 (illustrated in color, fig. 373).
S.A. Stein, "From the Beginning: Collecting and Exhibiting Gauguin in New York" in The Lure of the Exotic: Gauguin in New York Collections , exh. cat., The Metropolitan Museum of Art, New York, 2002, pp. 166-168 and 230, note 83 (illustrated in situ at the Lewisohn apartment, p. 160, fig. 62; illustrated again in situ at the 1921 exhibition, p. 167, fig. 64).
P. Laudon, Tahiti-Gauguin: Mythe et vérités , Paris, 2003, p. 120.
G. Manceron, "Koké et Tépéva: Victor Segalen dans les pas de Gauguin" in Gauguin Tahiti: L'atelier des tropiques , exh. cat., Galeries nationales du Grand Palais, Paris, 2003, pp. 325 and 330, note 26.
K. White, "Parvenir à la béatitude" in Paul Gauguin: Héritage et confrontations; Actes du colloque des 6, 7 et 8 mars 2003 à l'Université de la Polynésie Française , Papeete, 2003, pp. 225-226 (titled Femmes sur le bord de la mer ).
A. Gruetzner Robins, "'Manet and the Post-Impressionists': A Checklist of Exhibits" in The Burlington Magazine , December 2010, vol. CLII, no. 1293, p. 787, note 54.
M. Jakobi, Gauguin-Signac: La genèse du titre contemporain , Paris, 2015, p. 191, no. 143 (illustrated).
M. Stone, "The Most Expensive, Over-The-Top Pieces of Art Owned by Tech Billionaires" in Business Insider France , 9 May 2015 (illustrated in color).
P. Zegers, "Gauguin, Cat. 102, The Rape of Europa, from the Suite of Late Wood-Block Prints" in Gauguin Paintings, Sculpture, and Graphic Works at The Art Institute of Chicago , 2016 (illustrated in color, fig. 1.28).
D. Wildenstein, S. Crussard and R.R. Brettell, Gauguin: Catalogue Raisonné of the Paintings, 1891-1903 (digitalprojects.wpi.art/artworks/gauguin/introduction), no. W582 (illustrated in color).