Michel Seuphor, Piet Mondrian, Life and Work , New York, 1957, no. 517, pl. 173, illustrated in color; classified catalogue no. 350, p. 387, illustrated (titled Composition avec rouge, bleu et jaune / Composition with Red, Blue and Yellow )
Sam Hunter, Mondrian , New York, 1958, pl. 11, illustrated in color (titled Composition in Red, Blue, and Yellow )
Michel Butor, “Le Carré et son habitant,” Nouvelle Revue Française , no. 97, January 1961, pp. 122, 123 and 126
Carlo L. Ragghianti, Mondrian e l'arte dell XX secolo , Milan, 1962, illustrated in color p. 335
Exh. Cat., Toronto, Art Gallery of Toronto; Philadelphia Museum of Art; The Hague, Gemeentemuseum, Piet Mondrian 1872-1944 , 1966, p. 194
Alberto Busignani, Mondrian: The Life and Work of the Artist , New York, 1968, pl. 66-67, illustrated in color (titled Composition with Red, Blue and Yellow )
Frank Elgar, Mondrian , New York, 1968, no. 163, p. 173, illustrated in color (titled Composition with Red, Blue and Yellow )
H. H. Arnason, History of Modern Art , New York, 1968, pl. 182, illustrated in color
H. W. Jansen, History of Art , New York, 1969, pl. 78, illustrated in color
Hans L. C. Jaffé, Piet Mondrian , New York, 1970, p. 145, illustrated in color (titled Composition with Red, Blue, and Yellow )
“Mondrian: Centennial of a Dutch Master,” Life , 19 November 1971, vol. 71, no. 21, p. 43, illustrated in color
Alfred Roth, Begegnungen mit Pionieren , Stuttgart, 1973, p. 157
Maria Grazia Ottolenghi , L'Opera completa di Mondrian , Milan, 1974, no. 396, p. 112, illustrated (titled Composizione con rosso, giallo e blu )
Kent Tiedeman, “Mondrian: The Flowering Apple Tree, 1912,” The Counterpoint to Likeness. Essays on Imitation and Imagination in Western Painting , Davis, California, 1977, p. 53, illustrated (titled Composition with Red, Blue and Yellow )
Karl Lunde, Anuszkiewicz , New York, 1977, pl. 46, p. 70, illustrated (titled Composition with Red, Yellow, and Blue)
Kermit Swiler Champa, “Piet Mondrian's Painting Number II-Composition with Grey and Black," Arts Magazine, vol. 52, January 1978, illustrated p. 88
Oscar Reitersvärd, “Otto G. Carlsund och hans postkubistiska expo. Stockholmsutställningen 1930,” 1930/80. Architektur Form Konst , 1980, p. 55, illustrated in an installation photograph of the Paris, Galerie 23 exhibition Cercle et Carré in 1930
Kermit Swiler Champa, Mondrian Studies , Chicago and London, 1985, p. 110, illustrated
Exh. Cat., New York, Sidney Janis Gallery, Early Paintings, Watercolors & Drawings by Piet Mondrian , 1985, n.p., illustrated in an installation photo of the 1963 Sidney Janis Mondrian exhibition
Exh. Cat. The Hague, Gemeentesmuseum Den Haag, Mondrian in the Sidney Janis Family Collections, New York , 1988, p. 22, illustrated in an installation photo of the 1963 Sidney Janis Mondrian exhibition
Joop M. Joosten, Piet Mondrian: Catalogue Raisonné of the Work of 1911-1944 , vol. II, New York, 1998, no. B219, p. 352, illustrated (titled Composition No. II / Composition I // Composition en rouge, bleu et jaune )
Marty Bax, Complete Mondrian , Aldershot and Burlington, 2001, p. 324, illustrated (titled Composition No. II/Composition I/Composition e rouge, bleu et jaune )
Exh. Cat. The Hague, Gemeentesmuseum Den Haag, Mondrian: in het Gemeentemuseum Den Haag , 2008, p. 245, illustrated in color
Exh. Cat., Paris, Centre Pompidou, Mondrian/De Stijl , 2010-11, illustrated in an installation photograph of the Paris, Galerie 23 exhibition Cercle et Carré in 1930
Exh. Cat. The Hague, Gemeentesmuseum Den Haag, Alexander Calder-De grote ontdekking , 2012, pp. 54 and 130, illustrated in color (titled Composition No. II / Composition I // Composition en rouge, bleu et jaune )
Andrea Kollnitz, "Universal Language on National Ground-Otto G. Carlsund and Art Concret at the Stockholm Exhibition 1930," Avant-Garde Critical Studies , vol. 36, January 2019, p. 311, illustrated in an installation photograph
Netherlands Institute for Art History (RKD), eds., Piet Mondrian: Catalogue Raisonné , no. B219