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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 18, 2023 | Sotheby's | New York | The Now Evening Auction | 3 | $****** - ****** | Night Studio |
paintings
165.1 x 208.3 cm (65 x 82 in)
oil on canvas
signed, titled and dated 2009 (on the reverse)
Leo Koenig Inc., New York
Acquired from the above in 2009 by the present owner
New York, Leo Koenig Inc., Nicole Eisenman , October - December 2009
New York, New Museum, Nicole Eisenman: Al-ugh-ories , May - June 2016, pp. 64-65, illustrated in color and p. 84
Belgium, Ghent, Stedelijk Museum voor Actuele Kunst, These Strangers… Painting and People, October 2016 - January 2017
Germany, Kunsthalle Bielefeld; Switzerland, Aarau, Aargauer Kunsthaus; and Fondation Vincent Van Gogh Arles, Nicole Eisenman and the Moderns: Heads, Kisses, Battles , November 2021 - October 2022, illustrated in color (on the front and back cover), pp. 48-49, 72, illustrated in color and p. 79
Jerry Saltz, "The Best Art of 2009," 20 December 2009, illustrated in color (online)
John Yau, "Nicole Eisenman," The Brooklyn Rail , December 2009 - January 2010, p. 27
Exh. Cat., Saratoga Springs, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Opener 17 Nicole Eisenman: The Way We Weren't, pp.1-2, illustrated in color
Casey Ruble, "Nicole Eisenman," Art in America , 5 February 2010, illustrated in color (online)
Peter Schjeldahl, "Seriously Funny: A Nicole Eisenman Retrospective," The New Yorker, 16 May 2016, p. 99
Roberta Smith, “Nicole Eisenman, Fluidly Merging Past, Present and Future,” The New York Times , 2 June 2016 (online)
John Yau, "A Truly Great Artist," Hyperallergic , 5 June 2016, illustrated in color (online)
Jonathan Stevenson, “Nicole Eisenman and the triumph of painting,” Two Coats of Paint , 20 June 2016, illustrated in color (online)
Dennis Kardon, “Paint Queer, Gender Fluid, Meaning Ambiguous: Nicole Eisenman at Anton Kern," artcritical, 22 June 2016 (online)
Barry Schwabsky, “Nicole Eisenman's Path to Genius,” The Nation, 14 July 2016 (online)
Tatiana Istomina, “Nicole Eisenman,” Art in America, 1 September 2016 , illustrated in color (online)
Keren Goldberg, 'Woman shows' at the New Museum , London, 2016, p. 2 and p. 7, illustrated in color (online)
Rahel Aima, “By All Means, Judge a Book By Its Cover,” Garage Magazine , 24 December 2018 (online)
Rachel Aima, "Nicole Eisenman," ArtReview , November 2020, p. 18, illustrated in color
Dan Cameron, Nicole Eisenman , London, 2021, fig. 36, pp. 51-52, illustrated in color
Anna Raymann, “Kampfknutschen in Aarau: Nicole Eisenman trifft die Modernen,” Aargauer Zeitung , 28 January 2022 (online)
Jörg Heiser, “Darüber ist nur noch der Sternenhimmel”, Republik , 28 January 2022, illustrated in color (online)
Niklaus Oberholzer, “Nicole Eisenman und die Modernen,” Journal21 , 2 February 2022, illustrated in color (online)
Annette Hoffmann, “Köpfe, Küsse, Kämpfe. Nicole Eisenman und die Modernen: Eine andere, Malereigeschichte," Artline, 8 March 2022 (online)
Shana Nys Dambrot, “Outside LA: Nicole Eisenman," Artillery Magazine , 4 October 2022 (online)
Property from a Prestigious Private Collection
Nicole Eisenman
b. 1965
Night Studio
signed, titled and dated 2009 (on the reverse)
oil on canvas
65 by 82 in.
165.1 by 208.3 cm.
Executed in 2009.
