Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
Discover how the artwork has performed looking at the estimated historical value to date for this artwork, with its prior recorded sales and comparable artworks.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 6, 2023 | Christie's | London | Old Masters Part I | 24 | $****** - ****** | The Crucifixion with the Virgin, Saint John the Baptist and the Magdalen |
paintings
63.8 x 38.1 cm (25.13 x 15 in)
tempera on gold ground panel
(Probably) William Bingham Baring, 2nd Lord Ashburton (1799-1864), Bath House, London, and by inheritance to his widow, Louisa, Lady Ashburton (1827-1903), Kent House, London or Melchett Court, Hampshire, and through her daughter,
The Hon. Mary Florence Baring (1860-1902), wife of William Compton, 5th Marquess of Northampton (1851-1913), and their second son, Lord Spencer Compton (1893-1915).
F. Russell, ‘An Early Crucifixion by Fra Angelico', The Burlington Magazine , CXXXVIII, May 1996, pp. 315-7, where dated between altarpieces assigned to 1419-21 and 1424-5.
G. Bonsanti, Beato Angelico: Catalogo completo , Florence, 1998, p. 118, no. 15, where dated to around 1424.
L. Kanter, in ed. L. Kanter and P. Palladino, Fra Angelico , exhibition catalogue, The Metropolitan Museum of Art, New York and New Haven, 2005, pp. 76-7, fig. 46, where dated to around 1421-2.
D.C. Ahl, Fra Angelico , London, 2008, pp. 31-3, pl. 29, where dated to around 1419-20.
G. de Simone, in ed. A. Zuccari, G. Morello and G. de Simone, Beato Angelico: L'alba del Rinascimento , exhibition catalogue, Musei Capitolini, Rome, 2009, p. 152, where dated to just before the Pisa Madonna di Cedri of around 1423.
G. Utari, in ed. G. Damiani, Fra Angelico et les ma î tres de la Lumi ère , exhibition catalogue, Musée Jacquemart-André, Paris, 2011, p. 154, under no. 25, as an ‘oeuvre de jeunesse de l'artiste'.
GUIDO DI PIERO, FRA GIOVANNI DA FIESOLE, POSTHUMOUSLY KNOWN AS FRA ANGELICO (NEAR VICCHIO, C. 1395/1400-1455, ROME)
The Crucifixion with the Virgin, Saint John the Baptist and the Magdalen
tempera on gold ground panel, arched, the original engaged frame regilded
25 1/8 x 15 in. (59.7 x 34.2 cm.)
