Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
Discover how the artwork has performed looking at the estimated historical value to date for this artwork, with its prior recorded sales and comparable artworks.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Feb 3, 2016 | Sotheby's | London | Impressionist & Modern Art Evening Sale | 23 | $****** - ****** | LE PALAIS DUCAL VU DE SAINT-GEORGES MAJEUR |
paintings
65 x 100 cm (25.59 x 39.37 in)
oil on canvas
Galerie Bernheim-Jeune & Galerie Durand-Ruel, Paris (jointly acquired from the artist on 15th May 1912)
Galerie Durand-Ruel, Paris (acquired solely on 6th June 1912)
Private Collection, France (by descent from the above circa 1967)
Private Collection, Switzerland (acquired in 1998)
Acquired from the above by the present owner
Arsène Alexandre, ‘La vie artistique, Claude Monet et Venise’, in Le Figaro, 29th May 1912, mentioned p. 4
Gustave Geffroy, ‘La Venise de Claude Monet’, in La Dépêche, 30th May 1912, mentioned p. 1
Henri Genet, ‘Beaux-Arts et Curiosité: Les 'Venise' de Claude Monet’, in L'Opinion, 1st June 1912, mentioned p. 698
Georges Lecomte, ‘Un radieux poème à la gloire de Venise’, in Le Matin, 3rd June 1912, mentioned p. 6
André Michel, ‘Promenade aux Salons VI’, in Journal des Débats, 5th June 1912, mentioned p. 1
‘Art et Curiosité: Venise vue par Claude Monet’, in Le Temps, 11th June 1912, mentioned p. 4
‘Vision d'art: Venise par Claude Monet’, in Le Gaulois, 14th June 1912, mentioned p. 1
Henri Gheon, ‘A travers les expositions: Claude Monet’, in Art décoratif (supplément), 20th June 1912, mentioned pp. 4-6
‘Art et Curiosité: Venise vue par Claude Monet’, in Le Temps, 11th July 1912
François Fosca, Claude Monet, Paris, 1927, illustrated in colour p. 65
‘XXIVe Biennale de Venise’, in Emporium, July-August 1948, illustrated p. 9
René Jullian, ‘Les Impressionnistes français et l'Italie’, in Publications de l'Institut français de Florence, 1968, no. II-11, illustrated pp. 19 & 31
Nicola Ivanoff, ‘Proust et Venise’, in L'Œil, August-September 1973, nos. 217-218, fig. 12, illustrated p. 27
Sabine Cotte, Monet, Paris, 1974, fig. 36, illustrated p. 51
Grace Seiberling, Monet's Series, New York, 1981, no. 10, pp. 210 & 379
Daniel Wildenstein, Claude Monet. Biographie et catalogue raisonné, Lausanne & Paris, 1985, vol. IV, no. 1752, illustrated p. 239; mentioned in letter no. 2012a; mentioned p. 430, pièce justificative, no. 240
Philippe Piguet, Monet et Venise, Paris, 1986, no. 12, illustrated p. 79
Daniel Wildenstein, Monet. Catalogue raisonné, Cologne, 1996, vol. IV, no. 1752, illustrated in colour p. 819
Monet and the Mediterranean (exhibition catalogue), The Brooklyn Museum of Art, New York, 1997-98, illustrated p. 152
