Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
Discover how the artwork has performed looking at the estimated historical value to date for this artwork, with its prior recorded sales and comparable artworks.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Sep 29, 2023 | Dovima with elephants, Evening dress by Dior, Cirque d'Hiver, Paris, August 1955 | 36 | Sotheby's | New York | |||
photographs
59.7 x 48.3 cm (23.5 x 19 in)
gelatin silver print, flush-mounted to linen
signed and editioned ‘36/50" in ink and with the photographer"s copyright, title, and edition stamps on the reverse, 1955
Private collection, Los Angeles
Phillips New York, 4 October 2018, Sale 40218, Lot 203
Harper"s Bazaar , September 1955, p. 215
Avedon Photographs: 1947-1977 (New York, 1978), pl. 159 and back cover
Nancy Hall-Duncan, The History of Fashion Photography (Rochester: George Eastman House, 1979), p. 137
Helen Gee, Photography of the Fifties: An American Perspective (Tucson, 1984), p. 84
David Bailey and Martin Harrison, Shots of Style: Great Fashion Portraits Chosen by David Bailey (London, 1986), cat. no. 7
Martin Harrison, Appearances: Fashion Photography Since 1945 (New York, 1991). p. 73
Anthony T. Mazzola, ed., 125 Great Moments of Harper"s Bazaar: A Commemorative Collection of Outstanding Photographs (New York, 1993), cover and pl. 3
Richard Avedon: Evidence, 1944-1994 (New York: Whitney Museum of American Art, 1994), p. 53
Keith F. Davis, An American Century of Photographs from Dry-Plate to Digital: The Hallmark Photographic Collection (New York, 1999), pl. 368
Ingrid Sischy et al., Chorus of Light: Photographs from the Sir Elton John Collection (Atlanta: High Museum of Art, 2000), p. 189
Richard Avedon: Made in France (San Francisco, 2002), unpaginated
Richard Avedon, Woman in the Mirror (New York, 2005), p. 37
Michael Juul Holm, ed., Richard Avedon - Photographs 1946-2004 (Humlebæk: Louisiana Museum of Modern Art, 2007), p. 35
Harold Koda, The Model as Muse: Embodying Fashion (New York: The Metropolitan Museum of Art, 2009), p. 50
Carol Squiers, Vince Aletti, et al. , Avedon Fashion: 1944-2000: The Definitive Collection (New York: The International Center of Photography, 2009), p. 137 and 172-3 (variants)
20th Century Photography (Cologne: Museum Ludwig, 2012), p. 29
Quentin Bajac et al ., eds., Photography at MoMA: 1920 - 1960 (New York: The Museum of Modern Art, 2016), pls. 274 and 276
Paul Martineau, Icons of Style: A Century of Fashion Photography (Los Angeles: The J. Paul Getty Museum, 2018), pl. 111
Richard Avedon
1923-2004
"Dovima with elephants, Evening dress by Dior, Cirque d"Hiver, Paris, August 1955"
large-format gelatin silver print, flush-mounted to linen, signed and editioned ‘36/50" in ink and with the photographer"s copyright, title, and edition stamps on the reverse, 1955, printed later
image: 23½ by 19 in. (59.7 by 48.3 cm.)
frame: 33¾ by 29¼ in. (85.7 by 74.3 cm.)
