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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 16, 2021 | Sotheby's | New York | The Macklowe Collection | 11 | $****** - ****** | Number 17 |
paintings
148.6 x 148.6 cm (58.5 x 58.5 in)
enamel on canvas
Sidney Janis Gallery, New York
Metropolitan Museum of Art, New York (acquired in 1952)
Estate of the artist (by exchange in 1957)
Marlborough-Gerson Gallery, New York
S. I. Newhouse, Jr., New York
Gagosian Gallery, New York
Private Collection, New York (acquired from the above)
Richard Gray Gallery, New York
Acquired by the present owner from the above in 1999
Sidney Tillim, “Realism and ‘The Problem’,” Arts 37, No. 10, September 1963, p. 48
John Canaday, "This Way (and That) to the American Art Shows," The New York Times, 28 June 1964, p. X13, illustrated (image reversed)
William Rubin, “Jackson Pollock and the Modern Tradition,” Artforum, No. 8, April 1967, p. 24, no. 8, illustrated, and p. 30 (text)
Exh. Cat., New York, Museum of Modern Art, Jackson Pollock , April - June 1967, p. 62 (text)
John Russel, "Living with Art," House & Garden, November 1969, illustrated (installed in the home of S.I. Newhouse)
Daniel M. Mendelowitz, A History of American Art, New York 1970, p. 440, fig. 596, illustrated
Francis Valentine O'Connor, Eugene Victor Thaw, Jackson Pollock: A Catalogue Raisonné of Paintings, Drawings and Other Works , New Haven 1978, p. 132, no. 319, illustrated
Kay Larson, “Jackson Whole”, New York Magazine, 21 May 1990, p. 77 (text)
Michael Gross, Rogues' Gallery: The Secret History of the Moguls and the Money that Made the Metropolitan Museum , New York 2010, p. 226-27
Exh. Cat., Liverpool, Tate Liverpool, Jackson Pollock: Blind Spots, 2015, p. 43, illustrated in color, and p. 155 (text)
Jackson Pollock
1912 - 1956
Number 17, 1951
enamel on canvas
58 ½ by 58 ½ in. 148.6 by 148.6 cm.
Executed in 1951.
