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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 1, 2021 | Christie's | Hong Kong | 20th/21st Century Art Evening Sale: Worlds In A Hand | 6 | $****** - ****** | Abstraktes Bild 747-1 | |||
Feb 7, 2007 | Sotheby's | London | Contemporary Art - Evening | 17 | $****** - ****** | Abstraktes Bild 747-1 |
paintings
200 x 200 cm (78.74 x 78.74 in)
oil on canvas
signed, numbered and dated ‘747-1 Richter 1991’ (on the reverse)
Galerie Liliane et Michel Durand-Dessert, Paris
Massimo de Martino, Lugano
Galerie Guy Ledune, Brussels
Private Collection, Europe (acquired from the above in 1994)
Anon. sale, Sotheby’s London, 7 February 2007, lot 17
Seomi Gallery, Seoul
Schoneward Fine Arts, Dusseldorf / Anthony Meier Fine Arts, San Francisco
Private Collection, New York
Paris, Galerie Liliane et Michel Durand-Dessert, Gerhard Richter, 1991.
London, Tate Gallery, Gerhard Richter, 1991-1992, p.130, no. 60.
Paris, Musée d’Art Moderne de la Ville de Paris, Gerhard Richter, 1993-1994. This exhibition later travelled to Bonn, Kunst- und Ausstellungshalle der Bundesrepublik, Stockholm, Moderna Museet and Madrid, Museo Nacional Centro de Art Reina Sofia.
Galerie Liliane et Michel Durand-Dessert, Gerhard Richter, exh. cat., Paris, 1991 (illustrated).
Tate Gallery, Gerhard Richter, exh. cat., London, 1991-1992 (illustrated, p. 107).
Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Gerhard Richter, exh. cat., vol. I, Bonn, 1993 (illustrated, p.159).
Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Peter Gidal, Endlose Endlichkeit, Gerhard Richter, vol. II, Bonn,
1993 (illustrated, p.98).
Gerhard Richter (ed.), Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Catalogue raisonné 1962-1993, vol. III, Bonn, 1993 (illustrated, plate 747-1).
Kunsthalle Wien, Peter Gidal, Endlose Endlichkeit, Der zerbrochene Spiegle. Positionen zur Malerei, Vienna, 1993 (not illustrated, pp.60-61).
Peter Gidal, Endlose Endlichkeit, Parkett, no.35, 1993 (not illustrated, p.50, pp.52-54; illustrated, p.44).
Capital, November 1993 (illustrated, p.222).
Musée d' Art Moderne de la Ville de Paris, Gerhard Richter,exh. cat., Paris, 1993-1994 (illustrated, p. 159, plate 747-1).
Museo Nacional Centro de Arte Reina Sofía, Gerhard Richter, Madrid, 1994 (illustrated, p.147).
Max Kozloff, Gerhard Richter. He Who Misleads, Art in America, September 1994 (illustrated, p.99).
Michael Hierholzer, Gerhard Richter, Deutschland / Germany, February 1998 (illustrated, p.64).
Gemeindebrief 24/73, Evangelische Kirchengemeinde Rondorf, Cologne, 2002 (illustrated, p.18).
Artinvestor, no.2, 2007 (not illustrated, p. 34; illustrated, p.35).
Wirtschaftswoche, 27 August 2007 (illustrated, p.119).
Monika Jenni-Preihs, Gerhard Richter und die Geschichte Deutschalands, Vienna / Berlin, 2013 (illustrated, p.199).
D. Elger, Gerhard Richter, Catalogue Raisonné, vol. IV, 1988-1994, Ostfildern, 2015, (illustrated, plate 747-1, p. 257).
GERHARD RICHTER (B. 1932)
Abstraktes Bild 747-1
signed, numbered and dated ‘747-1 Richter 1991’ (on the reverse)
oil on canvas
200 x 200 cm. (78 3/4 x 78 3/4 in.)
Painted in 1991
