Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
Discover how the artwork has performed looking at the estimated historical value to date for this artwork, with its prior recorded sales and comparable artworks.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Apr 13, 2022 | Sotheby's | Milan | Contemporary Auction | 13 | $****** - ****** | Mise en plis n. 1 |
paintings
128 x 128.6 cm (50.39 x 50.62 in)
tempera, powder pigments, acrylic glue and sand on canvas
signed and dated 64 ; signed and dated 1964 on the reverse
Dr. Theo de Preux Collection, Lausanne
Galerie Jan Krugier, Geneva
Private collection, Geneva (acquired from the above in 1978 - ivi acquistato nel 1978)
Mr And Mrs Gerbrand F. Farber collection, Geneva
Acquired from the above by the present owner in 2006 (Ivi acquistato dall'attuale proprietario nel 2006)
Paris, Galerie André Schoeller, Domenico Gnoli , 1964, n.p., n. 1 (text )
Geneva, Galerie Krugier & Cie, Demetaphisica , 1965, n.p., n. 68
Lausanne, Musée Cantonal des Beaux-Arts (MCBA), 2ème Salon International de Galerie Pilotes , 1966, p. 73, illustrated
Brussels, Palais des Beaux-Arts, Gnoli , 1968, n.p., n. 27
Hannover, Kestern-Gesellschaft, Domenico Gnoli , 1968, n.p., n. 20, illustrated in colour
Geneva, Galerie Krugier & Cie, Domenico Gnoli , 1970, p. 1, n. 3, illustrated in colour
Rotterdam, Museum Boymans-van Beuningen, Domenico Gnoli , 1973, n.p., n. 17-12
Paris, Centre National d'Art Contemporain (CNAC); Brussels, Palais des Beaux-Arts, Domenico Gnoli , 1973-1974, p. 34, illustrated
Milan, Fondazione Prada, Domenico Gnoli , 2021-2022, p. 198, n. 625, illustrated in colour
Michel Conil Lacoste, ‘Les Gros Plans de Gnoli', Le Monde, 4 December 1964 (text)
Anon., ‘Celui qui peint des indéfrisables', Paris Presse, 2 December 1964, illustrated
Luigi Carluccio, Domenico Gnoli , New York 1975, p. 66, illustrated (n. 2) (titled incorrectly)
Franco Maria Ricci, Gnoli , Milano 1983, p. 66-67, illustrated in colour
Yannick Vu, Domenico Gnoli a Mallorca/in Majorca 1963-1970 , Palma de Mallorca 2006, n.p., n. 3, illustrated in colour
Domenico Gnoli
1933 - 1970
Mise en plis n. 1
signed and dated 64 ; signed and dated 1964 on the reverse
tempera, powder pigments, acrylic glue and sand on canvas
(firmato e datato 64 ; firmato e datato 1964 sul retro
tempera, pigmenti in polvere, colla acrilica e sabbia su tela)
cm 125,3x125,5; inches 49.33 by 49.40
Framed: cm 128x128,6x2,5; inches 50.39 by 50.62 by 0.98
