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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 18, 2018 | Christie's | New York | Post-War and Contemporary Art Morning Session | 650 | $****** - ****** | Across |
paintings
243.2 x 294.3 cm (95.75 x 115.88 in)
acrylic on canvas
signed, titled and dated 'ACROSS Kenneth Noland 1964' (on the reverse)
Collection of the artist
André Emmerich Gallery, New York, 1968
Private collection, 1969
Collection of the artist, Vermont, 1989
Private collection, New York, 1994
Acquired from the above by the present owner
Pittsburgh, Carnegie Institute, The 1964 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, October 1964-January 1965.
Detroit, J. L. Hudson Gallery, International '65: A Selection from the 1964 Pittsburgh International (Part One), March-April 1965.
Cambridge, Fogg Art Museum, Harvard University Art Museums and Pasadena, California, Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella, April-May 1965, n.p.
Philadelphia Museum of Art, The Pure and Clear: American Innovations, November 1968-January 1969, n.p.
New York, André Emmerich Gallery, Kenneth Noland: Paintings of the 1960's: Chevrons and Stripes, October-November 1985.
Fort Lauderdale, Museum of Art, An American Renaissance: Painting and Sculpture Since 1940, January-March 1986, p. 74, no. 29 (illustrated).
Edmonton, Alberta Art Gallery, Appreciating Noland, November 1990-January 1991, p. 33 (illustrated with incorrect dimensions).
Berlin, Salander-O'Reilly Galleries, Kenneth Noland, November-December 1991.
North Carolina, Davidson Gallery, Noland's Nolands: a Retrospective Selection from the Artist's Collection 1959-1991, November-December 1993.
Fort Lauderdale, Museum of Art, 1995 (on extended loan).
Houston, Meredith Long & Company, Kenneth Noland, January-February 1999.
New York, The Graduate Center, City University of New York, 2001 (on extended loan).
Alone Together, Blue Note Records, 1996 (album cover).
T. E. Crow, The Rise of the Sixties: American and European Art in the Era of Dissent, 1955-69, London, 2005, p. 104, no. 73 (illustrated).
signed, titled and dated 'ACROSS Kenneth Noland 1964' (on the reverse)
acrylic on canvas
95 ¾ x 115 7/8 in. (243.2 x 294.3 cm.)
Painted in 1964.
