Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
Discover how the artwork has performed looking at the estimated historical value to date for this artwork, with its prior recorded sales and comparable artworks.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 19, 2017 | Phillips | New York | 20th Century & Contemporary Art Evening Sale | 3 | $****** - ****** | Bridge | |||
May 2, 1988 | Sotheby's | New York | Contemporary Art, Part I | 27 | $****** - ****** | Bridge |
paintings
225.4 x 249.6 cm (88.75 x 98.25 in)
acrylic on canvas
André Emmerich Gallery, New York
Mr. & Mrs. Roger Davidson, Toronto
William Pall Gallery, New York
Private Collection, Chicago
Sotheby's, New York, May 2, 1988, lot 27
Acquired at the above sale by the present owner
New York, André Emmerich Gallery, Kenneth Noland, February 22 - March 13, 1966
"Arts Section," Time Magazine, vol. 85, January 8, 1965, p. 45 (illustrated). John Coplans, Serial Imagery, New York, 1968, p. 88 (illustrated). Patricia Pate Havlice, Art in Time: Catalogue, December, 1970, p. 43. Frederick Hart, Art: a history of painting, sculpture, and architecture, vol. 2, 1976,pl. 84, p. 482 (illustrated). Kenworth Moffett, Kenneth Noland, New York, 1977, pl. 137 (illustrated). Diane Waldman, Kenneth Noland: a retrospective, exh. cat., Solomon R. Guggenheim Museum, New York, 1977, no. 48, p. 128 (illustrated). William McCarter & Rita Gilbert, Living With Art, 1985, p. 192 (illustrated)
