J. T. Spike, in: E. Capron/J. T. Spike, Darkness & light: Caravaggio & his world, exhibition catalogue, Sydney 2003, pp. 188-189, no. 55 (as Massimo Stanzione, with slightly different measurements);
N. Spinosa, in: N. Spinosa, Ritorno al barocco. Da Caravaggio a Vanvitelli, exhibition catalogue, Naples 2009, p. 161, mentioned under no. 1.70 (as Onofrio Palumbo);
N. Spinosa, Pittura del Seicento a Napoli da Caravaggio a Massimo Stanzione, Naples 2010, p. 359, no. 343 (as Onofrio Palumbo);
N. Spinosa, Artemisia Gentileschi e Onofrio Palumbo: insieme o ‘separati’?, in: P. di Loreto (ed.), Una vita per la storia dell’arte. Scritti in memoria di Maurizio Marini, Rome 2015, pp. 381–384, fig. 2 (as Onofrio Palumbo);
N. Spinosa, in: F. Baldassari/J. Mann/N. Spinosa (eds.), Artemisia Gentileschi e il suo tempo, exhibition catalogue, Rome 2016, p. 232, mentioned under no. 72 (as Onofrio Palumbo);
R. Lattuada, in: F. Baldassari/J. Mann/N. Spinosa (eds.), Artemisia Gentileschi e il suo tempo, exhibition catalogue, Rome 2016, p. 226, mentioned under no. 69 (as Artemisia Gentileschi);
R. Lattuada, Unknown Paintings by Artemisia in Naples, and New Points Regarding Her Daily Life and Bottega, in: S. Barker (ed.), Artemisia Gentileschi in a Changing Light, Turnhout 2017, pp. 201-204, fig. 31 (as Artemisia Gentileschi, with slightly different measurements)