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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 22, 2019 | Dorotheum | Vienna | Old Master Paintings I | 56 | $****** - ****** | David with the head of Goliath |
paintings
203.5 x 152 cm (80.12 x 59.84 in)
oil on canvas
Probably in Artemisia Gentileschi’s studio, Naples, 1631;
probably the collection of Marchese Vincenzo Giustiniani, Rome, 1638;
probably the collection of Principe Andrea Giustiniani, Rome, 1667;
probably the collection of Bendetto Giustiniani, Rome, 1793;
probably sale, Finarte, Milan, 11 June 2002, lot 447 (as Attributed to Cesare Fracanzano, with measurements 205 x 150 cm);
Private collection, Naples, 2013;
Private collection, Milan, 2013;
Private European collection
Pisa, Palazzo Blu, Artemisia: la musa Clio e gli anni napoletani, 23 March – 30 June 2013, pp. 46–49, cat. no. 4 (as Artemisia Gentileschi)
F. Solinas, in: Artemisia: la musa Clio e gli anni napoletani, exhibition catalogue, Pisa 2013, pp. 46-49 cat. no. 4 (as Artemisia Gentileschi);
N. Spinosa, Grazia e tenerezza ‘in posa’. Bernardo Cavallino e il suo tempo: 1616-1656, Rome 2013, p. 47 footnote 49, illustrated p. 62 fig. 47 (as Artemisia Gentileschi);
J. M. Locker, Artemisia Gentileschi: the language of painting, London 2015, p. 167, not illustrated (as Artemisia Gentileschi);
N. Spinosa, Artemisia e Napoli, in: Artemisia Gentileschi e il suo tempo, exhibition catalogue, Rome 2016, p. 55, not illustrated;
R. Lattuada, Unknown Paintings by Artemisia in Naples, and New Points Regarding her Daily Life and Bottega, in: Artemisia Gentileschi in a Changing Light, London/Turnhout 2017, p. 193, illustrated pp. 194-195 figg. 14-15 (as Artemisia Gentileschi)
oil on canvas, 203.5 x 152 cm, framed
