H. Birringer, 'Bathsheba im Bade, in Museum der bildenden Künste zu Leipzig', in Erbe und Gegenwart: Festschrift Johannes Jahn zum 70. Geburstag, Leipzig 1963, pp. 393–97 (as Neapolitan, towards Artemisia);
A. Sutherland Harris in A. Sutherland Harris and L. Nochlin, Women Artists: 1550–1950, exhibition catalogue, New York 1976, p. 123, under cat. no. 15, and note 29 (here and henceforth as Artemisia);
M. D. Garrard, Artemisia Gentileschi. The image of the female hero in Italian Baroque art, Princeton 1989, pp. 128-29, 517, note 230, reproduced p. 129, fig. 120;
R. Contini in R. Contini and G. Papi (eds), Artemisia, exhibition catalogue, Rome 1991, pp. 79, 80, 87, note 88, 179, reproduced p. 80, fig. 66;
D. R. Marshall, Viviano and Nicolò Codazzi and the Baroque Architechtural Fantasy, Milan 1993, pp. 154–55 (with the architectural setting possibly by Ascanio Luciani);
R. Ward Bissell, Artemisia Gentileschi and the Authority of Art, Pennsylvania 1999, pp. 269–71, cat. no. 40 (slight reservations are given over attributing the work in full due to only knowing it from photographs; a possible collaboration with Artemisia's daughter is proposed);
R. Lattuada in K. Christiansen and J. W. Mann (eds.), Orazio and Artemisia Gentileschi, exhibition catalogue, New York 2001, p. 416, under cat. no. 80, under 'Related Pictures';
R. Contini and F. Salinas, Artemisia Gentileschi, exhibition catalogue, Milan 2011, p. 114 and p. 228 under cat. no. 41.